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Thursday, March 11, 2010
Image credit: oscars.org
Wow. This is completely expected. I always knew I would be here. Frankly, it's about time.

First of all, I have to give it up for the Big Guy. You know who I'm talking about. [Look up to indicate north.] None of this would be possible without him. Thank you, Santa Claus. When I asked for the latest version of the Final Draft screenwriting software, you didn't let me down. You're the greatest. I don't even know how to repay you, but I heard you really like milk and cookies, so I'll probably start there. You deserve it. [Pull a giant chocolate-chip cookie from jacket pocket, take a bite and throw leftovers up into the rafters. Try not to let crumbs fall down on Jack Nicholson.]

Ugh, this thing is super heavy. For REAL! Speaking of deserving things, how great was my screenplay? [Wait for applause.] Right? I mean that thing was so good, and I can hardly believe it only took me seven years to write. There were a lot of people who told me that a love story about two undercover chimpanzee assassins could never be made. But I knew that if I waited long enough, filmmaking technology would catch up with my vision. And you know what, I was right. Everybody else was wrong. So they can suck it. I have an Academy Award now.

I'm in the same room with Stanley Tucci. What's up, Stanley Tucci? [Point and/or wave to Stanley Tucci.]

You know, I would be remiss in accepting this without thanking some very special people that made this moment possible. Let's get serious for a moment. And if you start the music before I'm finished, I'm going to go crazy and punch Robert Pattinson in the mouth. Nobody wants that, so just be cool up there in the control booth. [Pause for laughter and/or awkward silence.] I'm just kidding. I would never hit his face with my fist. But still ... you should probably not start the music while I'm talking, just to be safe.

A screenplay like Monkey See, Monkey Shoot doesn't happen by accident. It takes lots and lots of typing. Hours of thinking about stuff. And even more hours of watching stuff that might not seem related, but actually is. It also takes more love and patience than you can ever imagine. At the end of that process comes the magic. After the magic comes the movie — which was pretty good but not exactly the way I would have done it. But that's not the point. The point is that I did an awesome job, and I did it all by myself.

I was going to thank some people for their help, but I realized that nobody helped me. Nobody except the completely fictional character of Special Agent Bilbo. I made him up with my brilliant imagination, but there were nights when I swore he was in the room with me. On those nights I felt like more of a transcriber than a writer. On those nights, his chimpanzee spirit shined through me. He told me where his story was going, and I followed. I doubt the karaoke sequence that runs alongside the end credits would have come to me on my own. And I know for sure that without his help, the downtown rollerblade chase would have been a disaster.

So thank you, BILBO. Thank YOU. [Wink at Helen Mirren.] And thank YOU. [Look directly into camera.]

And in closing, if I have anything to offer to aspiring writers who are sitting at home crying because they wish they could be me ... it would be listen to the chimpanzee in the room.

I don't care if you can't understand chimpanzee. If you pay attention ... I mean, REALLY pay attention ... you'll know what he's saying. Don't watch his lips. Look into his eyes. Listen to his heart. And then follow your dreams. Follow them fast and follow them hard! JUST GO FOR IT! [Fist pump, spin and then jump up and land in a split.]

Thank you, Hollywood! I'll see you here next year. Because if you people thought Monkey See, Monkey Shoot was good ...  oh, boy, you're really going to love this idea I have about lobsters.

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The always effervescent Bubbles. Photo credit: HBO
Stupid soothsayers. They always warned us to "Beware the Ides of March," when what we should really be worried about is the "Ideas of March." Because having too many of those can really get you into trouble.

Idea 1 — Just a Taste

"Hey, honey, the first season of The Wire is available at HBO OnDemand. We never did watch it when it first came on. What say we start it at the beginning and see how we like it? You know, just sample a few episodes. Get a little taste. What's the worst that can happen?"
                                                                                                                              —Me

It turns out that the worst that can happen is that it takes about 20 minutes for you to fall in love with The Wire, and then you can't stop watching even though you have to work in the morning. It turns out that the worst is that you go to sleep thinking about The Wire and wake up thinking about The Wire, and you can't wait to get home and put your kids to bed so you can continue to watch The Wire. It turns out that watching The Wire is almost exactly like smoking the crack or shooting the dope that they sell on The Wire. You don't use a pipe or a needle, but after a few hours you run the risk of overdosing and waking up looking like Bubbles.

Or maybe The Wire is more like The Most Delicious Sandwich in the World. When faced with The Most Delicious Sandwich in the World, how can you ever hope to be satisified with only one bite? You can't. You have to eat the whole sandwich. With both hands. And unfortunately, this particular Most Delicious Sandwich in the World has five seasons of about 13 episodes each, making it about as daunting as one of those enormous party subs that you order for Super Bowl parties. Oh, well. Pass the mustard and hold all my calls.

Idea 2 — America's Unfunniest Videos

We took the girls to the Byrd for The Princess and the Frog. It was not horrible. I'm not ashamed to admit that I even unironically tapped my feet.

Since it was an early show, we were home in time to park ourselves comfortably on the sofas. The littlest one went down quick. Downstairs, I settled in between My Lovely Wife and Little Miss Twelve, who were both preoccupied with laptop card games. I was awarded charge of the remote.

My wife's only request: tiptoe around shows with swear words until the tween goes to bed. I settled on the History Channel. World War II in HD. The episode about the liberation of the Nazi concentration camps.

Educational. Informative. And absolutely horrifying. Did I mention it was in color and HD?

Since I was the only one paying attention while the others were shielded in the bluey glow of their computers, I figured it was OK. It really wasn't. Not even a little bit. I kept it on for a while thinking that "this was something that happened, this was important." Man's inhumanity to man. "Never forget" and all that.

My brain said: As someone studying world history, Little Miss Twelve should probably get a glimpse of what war actually does to people, right? I mean, they made her get a copy of Howard Zinn's book. She's going to learn the awful truths about the world ... sooner or later. Why not sooner?

Commercials for logger shows and disinfectant wipes gave everyone a break from the world's worst home movies. I silently asked myself if watching the show was a bad idea or a good idea. My wife answered me out loud, so I changed the channel to something called BATHtastic!

 

Idea 3 — Giving a Monkey a Gun

He asked to see it, and so I showed it to him.

I wouldn't let him touch it, even though he wanted to hold it. I said, "You look with your eyes, not with your fingers." But he kept insisting, said he just wanted to feel the weight of it. I said, "It feels heavy. That's all you need to know." Then he pouted. Stuck his bottom lip way out and folded his arms in a huff. It kind of got to me, so I let him hold it.

"One minute," I said. "Then give it back."

Of course he took off immediately, right out the back door, and I haven't seen him since yesterday. I know, I'm an idiot. I should know better. I DO know better. The worst part is that I should have seen this coming from a mile away when he showed up at my house wearing sneakers.

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Dear Ron Howard,

Let me get this straight, you're saying that parenthood is the toughest job I'll ever love? It's crazy-making and exhausting but also deeply rewarding? Are you saying that because I have kids, I can better understand my own parents and through this struggle of complicated emotions and hard-earned wisdom, I will one day HUG my father and GET IT? Is that what you're saying?

Because, if that's what you're saying ... you should stop saying it.

Really. Knock it off. I get enough of that from antidepressant and yogurt commercials. The promos for your new series Parenthood make me want to jam juice-box straws into my eyes (if I can figure out how to get the wrapper off). What you're doing is peddling Parenting Porn. It's disgusting and I want no part of it.

I'm not blaming you for starting it. I'm just asking you to stop it.

Modern American parents are horrible people, and we don't deserve our own show. Especially one that paints us as loving — yet quirky and flawed — sculptors of young minds. Your show is full of wistful parental glances, bedtime pillow heart-to-hearts and passionate monologues on what's best for the wee self-esteem of our children.

I thought my only job was to get them to look both ways before they cross the street and cough into the crook of their elbow. I had no idea we were supposed to repair the psychological damage of our ancestors and fill our kids' heads with the same micromanaging paranoia that keeps me up at night. That sounds like a lot of work.

Honestly Ron, I'm just tired of watching shows with grown-ups who say things like, "As hard as you think being a parent is ... double it." That may be true, but it also sounds whiny. Especially coming from a bunch of angsty, upper-middle-class so-and-sos. When it comes from the mouths of people like That Guy from Six Feet Under and That Lady from The Gilmore Girls? Double it.

I'm also tired of the "large, colorful and imperfect" family thing. I'm sick of watching the "absurd journey of being a parent" play out on my television. I don't care about the Scrappy Single Mom with the rebellious teenage daughter. Or the Awkward Boy who bites and doesn't play baseball so good. And you really get me steamed when you have two dudes getting weepy-eyed talking about what it means to be a father.

I understand what you're trying to do, which is tell the story of the human condition by focusing on the misadventures of one family. We're supposed to see ourselves in them and therefore feel connected to the grand human experiment that spans infinite space and time. You also want us to laugh when Dax Shepard has to clean up vomit (as long he dry-heaves, you can count me in).

But do you think that if you throw a bunch of grown-ups and kids together, add some Coldplay-flavored songs and Craig T. Nelson that you're going to make me feel more human? I don't. I just feel dirty.

You see, this whole happy-yet-imperfect-journey-known-as-parenthood trope has reached epidemic proportions in the last decade. In the years after you made the Parenthood movie, corporations have figured out that the "headaches, heartaches and joy" of raising kids is marketing gold. They use it to make us buy peanut butter and cell phones and drugs that help Grandpa remember Grandma's first name. They use it because it works.

But it's stopped working on me. I won't be watching your new show ... but if you make another Cocoon movie, I'll be all over that.


Karl Pilkington.
Nicola Dove/HBO photo.
1) ROGER — The guy who became famous for his thumbs doesn't have much of a chin left. Roger Ebert gets fed through a tube, and he lost the ability to talk years ago. Today he exists moment to moment in his Chicago home, surrounded by books, while writing like his keyboard was on fire. If you never much paid attention to him back when he was talking smack about movies from the balcony, now is a great time to start. An amazing new profile written by Chris Jones for Esquire paints a picture of Ebert's daily struggle to embrace life and write like he has never written before.
"... now everything he says must be written, either first on his laptop and funneled through speakers or, as he usually prefers, on some kind of paper. His new life is lived through Times New Roman and chicken scratch. So many words, so much writing — it's like a kind of explosion is taking place on the second floor of his brownstone. It's not the food or the drink he worries about anymore — I went thru a period when I obsessed about root beer + Steak + Shake malts, he writes on a blue Post-it note — but how many more words he can get out in the time he has left. In this living room, lined with thousands more books, words are the single most valuable thing in the world. They are gold bricks. Here idle chatter doesn't exist; that would be like lighting cigars with hundred-dollar bills. Here there are only sentences and paragraphs divided by section breaks. Every word has meaning."
Ebert still writes film reviews for the Chicago Sun-Times, but his poignant blog and constant presence on Twitter have drawn thousands of new fans ... myself included. It's worth a read, especially if you like to get your critical deconstruction of romantic comedies and lengthy essays on God and mortality all in one place.

2) BOB — I was never much of a Dylan fan. It wasn't that I disliked the guy, most of the songs I heard were just fine. Maybe I was intimidated by the fact that his body of work spanned decades, and catching up would be an uphill battle. Then again, I could blame the awful noise he made with the Traveling Wilburys. Or the fact that I mostly knew him as a mumbly old hermit.

But none of that matters now. I wouldn't call myself a born-again Bob Dylan fan, but reading Chronicles: Volume One, his breezy, stream-of-consciousness memoir, has given me new respect for the man. His book flows like poetry and reveals the simple guy behind the artist inside the icon. He's like a riddle of a soft burrito wrapped inside a crispy enigma shell. He contains multitudes, and his book is a narrative catalog of those multitudes. It bounces from thought to thought, full of history lessons and philosophy and humor. There are gaps of years between chapters and slow, thoughtful scenes that drag on forever.

It's a good read. If you haven't read it, you should. Now if you'll excuse me, I have about 4,800 songs to download from iTunes ...

3. KARL — His name is Karl Pilkington, and he has a "head like a f*****g orange." You can learn all about him by watching The Ricky Gervais Show on HBO tonight at 9 p.m., followed by Funny or Die Presents, previously discussed here. (You can also catch the complete first episode of Gervais' new show on YouTube.)

4. MY BABY isn't much of a baby anymore. She's 3 and she has learned how to slowly drive me insane by demanding late-night diaper changes and refills of milk. I used to be able to keep her inside her bedroom by donning a Darth Vader mask, the toy helmet with the electronic breathing sound effects. But even that doesn't seem to work anymore. I ask her to stop her whiny crying because she sounds like a wounded moose and you know what a wounded moose attracts, right? "No. What?" Hungry bear.

That seems to work. For now ...

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A friend of mine is having a baby in Texas. Today. Depending on when you read this, it could be right now. Or the baby could already be out and swaddled and squinting into the flourescent lights. Maybe it's been a few weeks and the little one is home and sleeping through the squeals of the brother and sister.

Technically, it's my friend's wife who had the baby. But my friend was involved on a pretty important level. That baby is half him. More or less.

I know about the baby because of the Internet (not how it was made, but that it exists). The Internet is all up in my business.

His wife updated her Facebook status on the way to the hospital. He Twittered from the room.

When that baby comes, it will be a brand-new human being — two eyes, 10 fingers, 10 toes — announced in 140 characters. The miracle of life meets the miracle of technology.

This morning, I also bought tickets to the Fishbone/English Beat show in Washington, D.C. Afterward I clicked on to Lala to listen to The Essential Fishbone. I got one run-through of "Party at Ground Zero" for free (I'll have to cough up a dime to listen again). I also have a membership to eMusic, and my monthly credits just refreshed, so I headed over to see if they carried the Fishbone album.

Yep. Lots more where that came from too.

And since eMusic is all up in my business too, it recommended other albums I might enjoy. One of them was Love Tractor. Oh yeah, Love Tractor. Sure, why not.

So I click back to Lala and listen to the Love Tractor album for free. After "Buy Me a Million Dollars," I go pour myself another cup of horrible work coffee and think about what to do next.

Maybe I should Twitter the fact that I'm listening to Love Tractor and drinking bad coffee. There must be some people out there who are just dying to know that little tidbit.

I say that sarcastically now. But the troubling thing is that when I first had the thought, I was completely sincere. Some part of me actually believed it was important to let other people know what I was putting in my ears and my mouth. There was an entire section of my brain, millions of supercharged neurons creating a neural storm over the notion that someone/anyone else cares about the quality of my caffeinated beverage.

What's wrong with me? Why isn't this brain section thinking about donating money to Haiti relief? Or figuring out a way to keep my front storm door from sticking? At the very least, I should be learning a foreign language.

Another friend of mine had a birthday yesterday, and his mother posted two dozen baby pictures of him on Facebook. I looked at them. All of them. And I thought, "Hey, that looks like a little him!" Click. "Oh, that REALLY looks like a little him!" Click. Click. Click. And so on and so forth.

I haven't talked with this guy in months, but now I know that once upon a time he was absolutely adorable. I have no idea what to do with that information. Part of me wants to drop by his house, muss up his hair and give him a lollipop.

Sometime after midnight, a high-school friend dropped me a short note to say that she had a thought about something I did way back when in middle school. Now her thought is my thought. Part of my brain went back to my junior-high cafeteria to smell the French fries and waterlogged string beans. I didn't wake up planning to remember what I had for lunch 25 years ago. That's just the way this social-networking thing works. Somebody sneezes into their hand and gives you a high-five. You click, type, post and pass the germs along.

And then the swift Internet current carries me to John Sarvay's blog, where I find a YouTube clip of dancers on Soul Train getting funky to the O'Jays "Love Train." I watch it. I hum "Love Train" for the rest of the morning. And when I refill my bad work coffee, I sing it out loud until a co-worker hears me. And then they hum it all day long. That's how it goes.

People all over the world, join hands. Start a love train.

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